Reading and writing, looking out on a Sunday afternoon at
Lake Leon, emerald lake, the dammed up waters above the Leon River, the raging
rapids or dusty dry bipolar ghost river that crosses the footprints of
Peneteka, Spaniards and oil rush character actors.
A cacophony reaches my ear – birds, hundreds, gulls white
and gray screaming calling diving toward fish brought to the surface by this
first sunny February day in awhile. Majestic loons, stark, move in a row across
the rippling surface water like a fleet of battleships, their pointed beaks and
erect vertical necks like the bridge masts of Trafalgar frigates gone to war.
The loons dive, disappear, all in a line, nabbing tiny fins
inside their sharp chiseled beaks. The white gray gulls dive bomb, The Battle
of Britain, joining the feast, their calls beckoning the country around the
cove to come observe the slaughter, the springlike feast after so many days of
ice blue gloom.
Plenty for all.
Pull up a chair.
It lasts ten minutes. The loon posse moves left, then back
right, like a prairie wildfire driving rabbits with clubs, like lemmings toward
their fateful date with Dover White Cliff zero gravity greatness.
Lake Leon presents a curtains-up ecodrama as compelling as
anything found in more famous deep adventure Klondike venues, projected on dark
walls, by cable TV, late at night.
There’s no one here to see it, no bass boat. Neighbors
aren’t home. Everybody’s in church, but are they really? I can’t imagine a
benediction more graphically I AM than the symphony swirling thirty yards from
the sanctuary of this veranda porch.
Clock ticks later, it’s over. Father, Son, Holy Ghost – the
gulls fly off. The loons dive, disappear. I’m not sure how they left the stage.
Or why.
But they’re damn sure gone now.
We know this.
The wind turns chill.
The pen ceases to move.
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